This autumn, join us at Hastings Contemporary for a major new exhibition exploring the rich and complex genre of still life.
Immortal Apples, Eternal Eggs
with The Ingram Collection
at Hastings Contemporary
Immortal Apples, Eternal Eggs is a meeting of two of the UK’s most significant collections — The Ingram Collection and the David and Indrė Roberts Collection — and will include work from artists including Phyllida Barlow, Louise Bourgeois, Sir Anthony Caro, Patrick Caulfield, Michael Craig-Martin, Dame Elisabeth Frink, Sarah Lucas, Henry Moore and Ben Nicholson.
The exhibition juxtaposes world-class contemporary sculpture, video and installation alongside traditional still life painted works. It aims to challenge assumptions about this familiar genre, inviting new perspectives and asking viewers: what really is still life?
More than 50 artworks will be on display, created by more than 50 artists over the past 100 years.
Immortal Apples does a lively job of testing our assumptions about a familiar genre, [and is] a reminder of how much comes out of paying attention to what, at first glance, seems like nothing at all.
— The Telegraph, September 2024
Installation views
The exhibition will begin with a dramatic and theatrical display in the gallery’s largest space, placing large-scale sculptures by Phyllida Barlow and Ai Weiwei alongside paintings by artists including Ansel Krut and John Armstrong.
The show will progress thematically, journeying through trace and absence, wildness and cultivation, production and consumption, and magic and transformation, while also delving into still life’s darker undercurrents of death, violence and exploitation with works by Lonnie Holley, Gabriella Boyd and William Turnbull.
Accompanying the exhibition, artists Prem Sahib and Gabriella Boyd will be in conversation on 13 February 2025, 6pm. Together with RIA curator Yates Norton, they will discuss still life's role in contemporary art. Book your ticket here.
Selected works
This is an exhibition that sharpens the mind: as soon as you start finding yourself at ease, relaxing into the clever visual pairings of works, you are hit on the head with a pun or a shock. The serene meets the sensual, the perfect meets the abject. The breadth of works is dizzying and it is best to let yourself be taken on the ride.
— Studio International, October 2024
You can find all press coverage on our dedicated press page.


