Frances Young, Song of Farewell, 2007

26 November–29 December 2020
Roberts Institute of Art

Frances Young, Song of Farewell, 2007

Courtesy the David and Indrė Roberts Collection
Roberts Institute of Art

Frances Young, Song of Farewell, 2007

Courtesy The David and Indrė Roberts Collection

Frances Young, Song of Farewell, 2007
SD video (PAL), single channel video projection, aspect ratio 4:3, colour with stereo sound. 4 min 58 sec
Courtesy the David and Indrė Roberts Collection


There is a cyclical nature to Frances Young’s Song of Farewell. The rollercoaster carts that presumably race around those tight bends are fixed on a looped track. Where there would usually be the rattle of wheels and screams of joy whooshing past, those noises are now merely imagined in the eerie calm, as the tracks are deserted of human activity. Instead, a large swarm of starlings perform their group choreography as dusk falls and the light is rapidly changing. Their murmuration — or swarm behaviour that sees the group swirl and swoop across the sky like a shapeshifting black cloud — has been slowed down, focusing on the moment the starlings first descend and then depart en masse from the tracks. In rest, they line up in a relatively orderly fashion, mirroring the neat rows of flashing bulbs that call out for attention in the empty fairground. As they sit side by side, the birds almost resemble the individual cars that join up to form the trains that would race across the circuit.

Starlings are migratory birds, sometimes flying up to 80km/h and covering up to 1,500 km (930 mi) in their flight, returning to the same spots each year. The repetition in their flight patterns forms another loop. This promise of repetition is echoed in the soundscape, which is created by capturing the end-static when a vinyl record plays out. It is the noise of a temporary end, waiting to be flipped around or started over. The sound is looped, slowly getting darker and louder, creating a beat that transitions from what sounds like the slow thumping over train tracks to the flapping of many powerful wings, until the rhythm fades into the distance.

The final loop is the video work itself. When shown in an exhibition context it will play in a seamless loop, underlining the structures of repetition that Young is examining. As the sky fluctuates between an almost sea green to dusty blue and a dark purple, night never fully falls, the birds never completely settle and abandonment of the fairground does not get resolved, but it is a pleasant ride to be on.

Frances Young

Frances Young is an artist and researcher who mainly works with moving image. She is particularly interested in the interplay between image and sound and the still and moving, explored through process-led investigations and a wide variety of recording media. She is currently a PhD Candidate at the Royal College of Art, where she is working on a practice-based thesis: Between Movement and Stasis: Loops within the Durational. This research examines various iterations and configurations of loop forms in moving image and sound, finding points of oscillation between movement and stasis in the loop, alongside dualities of recording and erasure, absence and presence.


Song of Farewell
has been part of the David and Indrė Roberts Collection since 2008 and was last shown publicly as part of the screening programme DRAF x Art Night: An Evening of Video Screenings (7 July 2018 at Village Hall Battersea Power Station, London).


On Screen

Every two weeks On Screen presents a different moving image work from the David and Indrė Roberts Collection, accompanied by a new text.