Collection Study

Eva Hesse, Three, 1965

November 2023

Julie Ezelle Patton’s Three Phases of Eva, 1965 is written in response to Eva Hesse’s Three (1965), a triptych of gouache and oil on paper collage. Patton takes Hesse’s triptych and title to structure the poem in three, imaginatively exploring Hesse's name, work and life, from Patton's first memory of hearing the artist’s name to once assisting Hesse’s partner, artist Tom Doyle. For Patton, the encounter with this work becomes a point of departure to play with language just as Hesse experimented with materials, and to reflect on acts of violence, from Hesse’s experience of fleeing from Nazi Germany in her childhood, to current events today.

Roberts Institute of Art

Eva Hesse, Three, 1965. Courtesy the David and Indrė Roberts Collection. Photo: Elliott Mickleburgh

Close Looking
Collection Study: Eva Hesse by Julie Ezelle Patton
26:14

Text by Julie Ezelle Patton

Three Phases of Eva, 1965

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Julie Ezelle Patton

Julie Ezelle Patton (b.1956) is the author of A Garden Per Verse (or What Else do You Expect from Dirt?), and Teething on Type. Other words have appeared in I’ll Drown My Book: Conceptual Writing by Women (Les Figues); Sarah Riggs’s The Nerve Epistle, About Place Journal: Rust Belt Tales; and Cecilia Vicuna’s Sound Quipu. Womb Room Tomb, an immersive “architext” opened to the public in the Front Triennial (2018). Julie has appeared at the Stone; Arts for Arts in NYC; the Festival Internacional de Poesía in Medellín, Colombia; Tamaas, Paris, France; La Bâtie-Festival de Genève; and many other venues and festivals. Her living-sculpture Let it Bee Ark Hive is highlighted in a forthcoming Chicago Review edition. J Walk’n thru the Alphabet, a collection of creative projects (1979 to present), debuts in Nightboat Books, 2025. Julie is a Foundation for Contemporary Art (Poetry), Cleveland Arts Prize and Acker Award recipient and a Doan Brook Watershed Hero, among other awards. Once her decades-long advocacy of the life and work of Russell Atkins had its intended effect, she moved on to protecting the visual arts legacy of painters Virgie Patton and Theresa Ramey, now on view, by appointment, at the Cleve Museum of Art, located between a Middle Passage reef, South Carolina Whipping Tree and Permanent Rust Belt grief. You can hear her pour her art out in ‘in-the-moment’ compositions bridging musical and literary worlds, solo or collaboratively with creative stalwarts Janice Lowe, Nasheet Waits, the Bookies, Vinie Burrows, Will Alexander, Nhojj; and the Ad Hoc Collective for Improvising Mourning Technologies for Future Grief with Abou Farman, Leo Caraballo and Sholegh Asgary. She lives and works in Cleveland, U.S.

Eva Hesse

Eva Hesse (1936-1970) was a pioneering German-American sculptor known for her contributions to post-minimalism. Working in materials that were soft and malleable, like latex, felt and plastics, Hesse’s use of unconventional mediums created works that were both vulnerable and alive due to their intrinsic unpredictable nature. The emotional depth and psychological intensity imbued in Hesse’s practice played a pivotal role in a period dominated by minimalism. Hesse’s untimely death at age thirty-four resulted in a brief, but hugely influential career that helped reshape the artistic landscape. Her oeuvre exerted a significant impact on several generations of younger artists and has been widely exhibited in major institutions globally.

Close Looking: Collection Studies from the Roberts Institute of Art

The Roberts Institute of Art brings together six artists and writers with six works from the David and Indrė Roberts Collection. Each writer has been invited to select and study a single artwork from the Collection to develop new texts, which span from poetry to storytelling. The exhibition is part of our commitment to bringing in diverse perspectives to an internationally significant collection, and takes place at Cromwell Place (22 November – 3 December 2023).